So Long, Keppler

June 27, 2018

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Late-night comedy loses another promising voice tomorrow night, when THE OPPOSITION W/ JORDAN KLEPPER broadcasts the last of its 129 episodes. Comedy Central has been having trouble filling the key four-times-weekly slot following THE DAILY SHOW, the one ruled for years by THE COLBERT REPORT, and now they have to try again. First Larry Wilmore — frankly, a better writer than an on-air host — tried THE NIGHTLY SHOW, at the time the most color-centric program in late night. Then star DAILY SHOW correspondent Jordan Klepper earned his turn at bat. It’s a shame they’ve pulled the plug: his show was very good.

THE OPPOSITION is a creative cousin to THE COLBERT REPORT. Stephen Colbert spent almost ten years as a character named “Stephen Colbert,” a self-important, thick-headed right-wing blowhard modeled on Rush Limbaugh, Glenn Beck, Sean Hannity, and especially the one he called “Papa Bear,” Bill O’Reilly. (The show even parodied specific O’Reilly segments, only evident to those who’d actually watched THE O’REILLY FACTOR.) To appreciate this character you had to use some ironic detachment, but it was hilarious, and Colbert surprised everybody, probably even himself, when he was able to hold on to the bit and broaden the character over a mammoth run that extended from Dubya well into Obama. 

A similar character, “Jordan Klepper” — again saying basically the opposite of what the writers actually mean for you to understand — is a madman conspiracy theorist. His walls are covered with crazy-quilt lines of connecting string, there are piles and piles of binder-clipped sheets of paper scattered all over his desk. He resembles nobody more than Alex Jones, the goofy shouting nut who hosts something called INFOWARS. In fact, just as O’Reilly hipped to Colbert’s “homage” early on, somebody must have told Jones that there’s a guy on tv making fun of him, because he started fighting back on air — only, in true conspiracist style, he got it all wrong and kept calling the host “Keppler.” (THE OPPOSITION even did a segment on INFOWARS’s pathetic putdowns of “this guy Keppler” and it became a running gag.) That’s the concept, and they never drop the premise. The audience are “opposers.” Instead of “We’ll be right back,” Klepper says, “The fight continues.” During his nighty interview segment, his last question is always, “Tell me something I already know.”

Klepper is a great presenter and superb improviser, which “we already knew” from his stint on THE DAILY SHOW. On this very program, the host earned an honored place in television history with his brave MAGAMeal Challenge. But what I’ll miss the most about THE OPPOSITION is its correspondents; per the conspiracy theme, they call themselves “Citizen Journalists.” This gang, culled as usual from comedy clubs and improv stages, is the sharpest and most energized bunch since the heyday of Jon Stewart’s run.

While each Citizen Journalist helps Klepper take down imaginary threats from the Deep State, and each has posted brilliant field pieces, they’ve managed to carve out their own personalities in record time. Tim Baltz is the privileged white oaf with slicked-back hair, a wannabe Gordon Gekko. Laura Grey (Klepper’s wife) is an adorable wide-eyed ball of anger whose contradictions obstruct any feminism. Niccole Thurman is a black conspiracist who usually doesn’t see what the libtards’ problem is. Josh Sharp and Aaron Jackson are flamboyantly gay men powered by their own hysteria. And Kobi Libii, my favorite of them all, has managed to find his way as a buttoned-down paranoid, inventing innumerable methods of gaming the system and presenting them with a self-satisfied kilowatt smile. These people are all aces, the best team on late-night. I hope each and every one of them gets another great gig right away. 

When I read of the cancellation about a week ago (they’ve been having fun with it on the air ever since — see, it’s part of the grand conspiracy to silence them!), I admit my first thought was that the dark maddened universe inhabited by Trump’s tweets is funnier and more outlandish than anything the writers could ever dream up. We’re living in a real world that looks uncomfortably like THE OPPOSITION’s invented world, and maybe it felt too on-the-nose; after all, Alex Jones frequently sounds like a comedian, just not on purpose. Maybe the format itself was too kinetic. And maybe THE OPPOSITION was simply too hip for the room. At any rate, thanks, gang, best wishes from a fan, and let’s all make sure the fight continues.

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Citizen Journalists, all. From left: Josh Sharp, Laura Grey, Aaron Jackson, Jordan Klepper, Niccole Thurman, Tim Baltz, and Kobi Libii.

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Space And Race

June 21, 2018

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The other night at a campaign rally in Minnesota, Donald Trump added a new chant for his fans, who already yell “Build the wall!”, “Lock her up!”, “CNN sucks!”, and even, lately, “Nobel! He ordered them to start howling, “Space Force!”, and naturally they obliged. Trump proposes to establish a sixth branch of the U.S. military because “there’s no place like space.” 

A “Space Force” is a notion which might occur to any bored ten-year-old doodling his way through a droning civics lecture, and that’s pretty much Trump’s emotional age. Whether or not he has the authority to actually create a new military branch is unclear, like so much else about his administration. (He also told the Minnesotans that he was “re-opening NASA,” which of course has never closed.) But I thought he used an interesting phrase to describe how this new outfit would be apart from but equivalent to the other five branches. He said it would be “separate but equal.” 

I’m not going to give Trump “credit” for deliberately using a loaded term from the civil rights era to excite his base. I think it’s just something he heard on tv one day and it kept floating around in the burbling word-stew inside his brain. Just like the time Sarah Palin, another colossal dumbass, used the term “blood libel” without realizing (I’m betting) that she was rubbing next to some serious antisemitism. The words just sounded cool to her. But accidentally or not, Trump sent a message to his oldest (coincidentally his most virulent) fans, those good ole boys who can well remember when America was especially great — for white people like them. 

The doctrine that came to be known as “separate but equal” was established by Plessy v. Ferguson (1896), which has come to be regarded as one of the worst decisions ever handed down by the Supreme Court. In Plessy, the Court upheld the constitutionality of racial segregation laws for public facilities as long as the segregated facilities were equal in quality. For the first half of the twentieth century, segregation was the law of the land, and guess what: Plessy has never been explicitly overruled. It’s been hacked away at, beginning with Brown v. Board of Education (1954), which held that “separate but equal” was unconstitutional when it came to schools and ignited the American civil rights movement. (Rosa Parks refused to give up her bus seat the following year.) But technically, Plessy is still on the books.

Again, Trump has probably never heard of Plessy v. Ferguson. But make no mistake, there are folks at his rallies who really miss the days of “separate but equal.” Man, that was when America was really great! And one of them who can remember is Jefferson Beauregard Sessions III, the gentleman from Alabama. I believe the General knew exactly what he was doing on June 14 when he opened his Bible to defend the barbaric “zero tolerance” policy that cruelly tears kids away from their parents. 

“Persons who violate the law of our nation are subject to prosecution,” said Sessions. “I would cite you to the apostle Paul and his clear and wise command in Romans 13 to obey the laws of the government because God has ordained them for the purpose of order.” He was referring to Romans 13:1, “Let every person be subject to the governing authorities; for there is no authority except from God” (RSV). This passage has been especially popular in two American eras: it was frequently invoked during the Revolution by British loyalists, and again just prior to the Civil War by defenders of slavery — and Sessions knows it. Both groups were on the wrong side of history, as he is now. 

Besides, if you want actual Biblical advice on immigration, how about Leviticus 19:33-34 (RSV)? “When an alien resides with you in your land, you shall not oppress the alien. The alien who resides with you shall be to you as the citizen among you; you shall love the alien as yourself, for you were aliens in the land of Egypt: I am the LORD your God.” You can cherry-pick the Bible to support almost anything, but that sounds pretty dadburn specific to me. 

Trump may not understand everything he utters. Or he may believe his own childlike fantasies. (Remember when he tried to take credit for coining the term “prime the pump” during an interview with The Economist? The Economist!) His level of ignorance is prodigious: he’s nothing but a game show host, mate! But there are people around him who do know exactly what they’re saying. At the moment things seem to be going their way — but they’re building up a tsunami of karmic debt, and one day it’s going to come crashing down.

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The Boys (And Girls) Who Cried Wolf

May 1, 2018

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Boy, did Michelle Wolf raise a ruckus last Saturday night at the White House Correspondents’ Association Dinner. Or, more precisely, a ruckus was raised about her. Because, man, what did you expect when you hired a topical comedian? As Judd Apatow noted, “It’s like going to a Billy Joel concert and being shocked he played ‘Piano Man.’”

Did Wolf’s set step over a line? Judge for yourself. You can read what she said here, or watch her say it here. I would recommend going directly to the source, because the set’s already being misrepresented by guess which tribe. For example, despite what you may read and hear, Wolf did not make fun of Sarah Huckabee Sanders’s appearance. She made fun of her mendacity and enabling as White House Press Secretary. True, Ms. Sanders was sitting a few feet away, and was visibly unamused, but all this has happened before, you know.

I’m thinking back to the 2006 dinner, when Stephen Colbert “bombed” by speaking truth to power. His show was brand new at the time, and not everybody realized his right-wing blowhard character, “Stephen Colbert,” was an ironic parody of windbags like Bill O’Reilly and Rush Limbaugh. I was in a COLBERT REPORT audience later that summer and overheard a guy explaining to his date before the taping, “You have to read between the lines of everything he says. And a running joke is his huge ego. Everything’s all about him.” The concept was still new enough to need a rundown. Now Jordan Klepper is doing the same thing to conspiracy “theorists” like Alex Jones by playing a character and trusting you to sift out the truth.

So it’s possible that whoever booked Colbert for the WHCA dinner was unaware of the gag and took him at face value. People are not always as subtly thoughtful as you may wish them to be, and conservatives are not known for their senses of humor. To the room’s apparent surprise, Colbert cleverly blasted George W. Bush while pretending to be a fawning acolyte: “tonight it’s my privilege to celebrate this president. We’re not so different, he and I. We get it. We’re not brainiacs on the nerd patrol. We’re not members of the factinista. We go straight from the gut, right sir? That’s where the truth lies, right down here in the gut. Do you know you have more nerve endings in your gut than you have in your head? You can look it up. I know some of you are going to say I did look it up, and that’s not true. That’s cause you looked it up in a book.” On he went. Watch the set here. Bush clearly did not find it funny, much of the laughter in the room was only nervous, and the first reports were that Colbert had died with a lousy bit. But then we noticed where those first reports were coming from: Fox News and other Bush promoters. When we later got a chance to read Colbert’s set, and even see him deliver it, we realized what had happened.

The prevailing attitude at occasions like this had always been, we kid you, Mr. President, but we do it with love and we’re grateful for your service. But what Colbert was saying now — and what the President was receiving — was, Mr. President, sir, we don’t think you’re doing a very good job. That’s what made the live audience uneasy. Colbert was turning on the right-wing spit for days afterward, just as Michelle Wolf is now, but when you look back twelve years later, Colbert’s remarks were both funny and spot on. The next year, WHCA overcompensated by booking the dangerous rogue mind of Rich Little.

At least Bush’d had the guts to show up. Wolf called Trump “cowardly” for skipping the WHCA dinner for a second time (in favor of a self-aggrandizing rally in Michigan) and that’s accurate. Trump’s legendarily fragile ego cannot coexist with even a smidgen of criticism; he’s still smarting from the time Barack Obama roasted him at WHCA — with some funny stuff — just after secretly giving the order to kill Osama bin Laden. Trump even refuses to throw out the ceremonial first pitch at Nationals Park, I assume for two reasons. First, he’s afraid of getting booed, which would certainly happen. Second, the 60 feet from mound to plate is a lot longer when watched by a mid-five-figure crowd, bigger than any rally he’s ever headlined — and as Trump himself might put it, “people are saying that he throws like a girl.”

Speaking of girls, Michelle Wolf. I didn’t find everything she said funny, but I could also say that about Lenny Bruce, George Carlin, Richard Pryor, Robin Williams, even Lord flippin Buckley. Any comic who’s at all edgy is taking a risk with every joke. But, especially after the Colbert incident, if you aren’t aware of a comic’s body of work before you hire her, then any blame is on you. What is fairly irritating here is the faux outrage and abject hypocrisy. Wolf was “disrespectful”? Trump is permanently dripping with louche contempt and schoolyard meanness: these juvenile nicknames, cruelly mocking a physical handicap, treating women as pieces of meat, constantly punching down at people who are (temporarily, always remember) less powerful than he. Where is his dadburn respect? Wolf was “vulgar”? Again, the pussy-grabbing shithole in the Head Shed is Numero Uno among that rapacious gang of bottom-feeders who are his colleagues. When Trump does his best every day to delegitimize the very notion of White House correspondents, maybe we’re talking about a different kind of relationship, and perhaps some more acerbic words are in order. Even from a frickin comedian. 

There was something else unexpected about Wolf’s performance, probably what brought some caustic comments even from representatives of non-fake media like the New York Times and NBC. Michelle Wolf took them down too. “You guys are obsessed with Trump. Did you used to date him? Because you pretend like you hate him, but I think you love him. I think what no one in this room wants to admit is that Trump has helped all of you. He couldn’t sell steaks or vodka or water or college or ties or Eric, but he has helped you. He’s helped you sell your papers and your books and your TV. You helped create this monster, and now you’re profiting off of him. If you’re going to profit off of Trump, you should at least give him some money, because he doesn’t have any.” It’s fun and games when politicians are in the crosshairs, less so when it’s you yourself — and deep down, White House correspondents know they actually do have a lot to answer for.

As Sarah Huckabee Sanders explained to those same correspondents after Trump seemed to question Rex Tillerson’s intelligence, “He made a joke. Maybe you guys should get a sense of humor and try it sometime, but he simply made a joke.” Maybe everybody should try it sometime.


Civil Righting

February 25, 2018

IMG_0552I expect the new Mississippi Civil Rights Museum to become a regional travel destination: if you’re anywhere near Jackson, Mississippi, you will want to take time to stop by. I lived in Jackson for more than twenty years, beginning as a 12-year-old in 1962, so I was made keenly aware of the prevailing Jim Crow culture, so starkly different from that of my native Virginia (which had sported its own share of slaveholders, to be sure). But it’s so hard for a white man to truly appreciate what it was like to have the wrong skin color in the most notoriously racist part of the United States. This place helps us get it. For the victims of civil injustice, and their descendants, there’s yet more. Their long struggle has been laid bare for all to see. Their bottom-line emotion must be something beyond gratitude. Something like pride.

IMG_0557The museum is a well-heaved stone’s throw north of the Old State Capitol, where generations of elected bigots made black life miserable, first with enslavement and later by exploiting Dixie whites’ inbred revulsion to the notion of racial equality. Racism is by no means restricted to the Deep South (neither were lynchings, which took place in your state too — look it up), but that is the stereotype. Give Mississippi credit, though, for owning up to its past: this is the first museum about the U.S. civil rights movement to be sponsored by a U.S. state. (The National Civil Rights Museum is in Memphis.)

IMG_0554There are actually two museums under the same roof in the new complex. You can also visit the Museum of Mississippi History, which unless I miss my guess was floated by white legislators as a quid pro quo to allow the civil rights exhibition. It begins with dioramas of cavemen — there’s lots of history down in Mississippi — and it’s fun in its own way. But the headline grabber is the civil rights side.

IMG_0559The facility is managed by the state’s Department of Archives and History, a stand-up agency which pored through its own files as well as those of the vile, secretive Mississippi State Sovereignty Commission, sort of a state-run White Citizens’ Council which prowled the political sewers from 1956 to 1977. The people who put this campus together are scholars, not partisans. Nothing is spun or sugar-coated. Nowhere in either museum did I find anything but unvarnished history, nor did I read a single word which I knew to be untrue.

IMG_0556The Civil Rights Museum is intuitively easy to navigate. The exhibit halls radiate out from a large central rotunda, where you return after each exhibit. Keep going clockwise, and you’ll see it all in order. (A two-day “Dual Admission” lets you into either museum or both, which should give you all the time you need. If you are very interested in the subject and a physically fit museum-goer, you could easily spend a whole day at each one. I barely scratched the surface.) The first exhibits have to do with the slave trade: the physical passages are close and cramped, to give you a slight sense of discomfort. As you approach the birth of the activist movement, the rooms become larger, suggesting possibility, solidarity, and eventually freedom and triumph. This joint was built by pros.

IMG_0571There’s lots to read, which suits me fine, also a nice helping of tastefully programmed a/v. Little built-in theaters let you sit down and watch very well-produced short pieces on, for example, Medgar Evers (they also have the rifle that killed him, which is worked into the presentation). Hidden audio speakers startle you every so often by blasting an angry voice: “Whatchoo lookin at, boy?” Some of this stuff was happening while I lived there (e.g., Evers), but I was a white pre-teen and while I was dimly aware, I was not yet, you know, woke.

IMG_0566This movement is about blood and grit and passion. It can be emotionally exhausting before you come to the end — and you’re only in a museum! But you can’t make it through without hearing the glorious strains of songs like “This Little Light Of Mine” wafting past. That returns the mighty, overwhelming slog back to the shape of one human heart. Now the brave Freedom Riders feel like nervous soldiers engaging a fearsome enemy, and that’s exactly what they were: heroes in a long, grim battle.

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The museum was dedicated last December 9. You may have read something about the ceremony. Gov. Phil Bryant, a Republican — these days they’re almost ALL frickin Pubs down there — decided to invite Donald Trump to the dedication. (I assume it was Trump’s people who ordered the invite from the feckless guv. At the time, you’ll recall, he was stumping for fellow racist Roy Moore in neighboring Alabama.) The NAACP pleaded with Trump not to come. Nearly every civil rights leader, aghast, stood on principle and regretfully boycotted the ceremony. But it gets worse. Trump didn’t even attend the dedication. Instead, he took a private, 30-minute (?!) tour of both museums while protesters marched outside, then gave a ten-minute speech to a small, Trump-approved group of worthies. And then he went away. He did what he does best: he stuck his fingers in the eyes of anyone to whom this museum meant anything. He blew up what should have been a reverent dedication ceremony without even having to frickin go. His slimy work in Jackson was finished before the first Big Mac was unwrapped on AF One. (Civil rights leaders returned to the museum for a Trump-free “christening” on February 24.)

IMG_0567Well, this museum is going to outlast the current White House gang and the fool who lives there. I’m so glad to be able to pay tribute to this indefatigable movement, which fundamentally changed our country against all odds, political and physical. I’ll definitely be back. The museum was full of school groups when I was there. Maybe more than one child — of whatever race — will pause and look and listen. You want role models, kid? This place is packed full of them.

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Trumpthink Doubleplusungood

August 4, 2017

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I’ve just re-read George Orwell’s NINETEEN EIGHTY-FOUR, partly because I recently saw a stage adaptation on Broadway (by way of the U.K.), and partly because I can’t shake the feeling that we may be nuzzling closer to this famous dystopia.

OK, I may be overstating a tad, but the shape of reality sure feels funny right now. And that intense British stage production wouldn’t be in New York today had Donald Trump not won the 2016 election. Shortly after the inauguration and Kellyanne Conway’s “alternative facts,” the novel became a national bestseller once again, and one of the show’s writer-directors sent a simple text to a producer: “84 NY?” The reply was evidently “!”

Even on my first reading as a kid, I had an unusual reaction to this provocative novel. I was most fascinated not by the “bare, hungry, dilapidated” world inhabited by Winston Smith and his fellow citizens of Oceania, or his savage climactic retro-indoctrination at the hands of senior Party member O’Brien. What really knocked me out was a device that appears about two-thirds in, when Winston opens and begins reading a secret book — with us reading over his shoulder — called THE THEORY AND PRACTICE OF OLIGARCHICAL COLLECTIVISM, written by Emmanuel Goldstein. (Spoiler Alert: it wasn’t.)

The passages we are allowed to see lay out, with cold detachment, the purpose and method of creating a topsy-turvy society in which WAR IS PEACE, FREEDOM IS SLAVERY and IGNORANCE IS STRENGTH. The hardscrabble life of nearly all citizens isn’t some crisis caused by natural or even economic calamity. It has nothing to do with forces that can’t be controlled. Winston’s torpor and misery are visited on him deliberately, planned and sustained by the very few who are actually in charge.

We can’t see “Goldstein”’s entire book, but we get enough to divine that in a venal, bloodless way, the real oligarchs of Winston’s country — and of Eurasia and Eastasia, the two other superstates which share the planet with Oceania — have created a society of stasis, of brutal rationing in service to perpetual war (the exact enemy changes at will), of narcotized subservients who are unable to grasp that life could be better because they are not allowed to have such a thought.

What a weird, science-fictional concept, right? Except you can’t read this stuff these days without thinking of Trump and his pals.

Now I am not seriously suggesting that anyone in the Trump orbit — not Steve Bannon, certainly not the boss himself — is smart enough or even shrewd enough to manage perception the way “Goldstein” and O’Brien do in Orwell. They’re not that calculating, not that sophisticated. Their choices are instinctive. They rule from the gut. Trump can sense unease and capitalize on it — he’s probably the most naturally gifted American politician since Bill Clinton. He has a huge swath of people convinced that he’s looking out for them, even though they have absolutely nothing in common besides mutual loathing for Barack Obama. And what looks like ridiculousness to most people reads as pioneering boldness to an unshakable base whose information is carefully managed — not by Trump personally, but by a right-wing echo chamber which pronounces that his was the largest inaugural crowd ever, Obamacare is destroying America, legitimate journalists can’t be trusted and should be ignored, etc. And that’s way before we get to the Sandy-Hook-was-faked and 9/11-was-an-inside-job rants.

These hamhanded clowns couldn’t possibly create Big Brother. It’s far beyond their skill set. But whether they know it or not, they are quoting from “Goldstein”’s playbook.

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Big Brother (top) and Goldstein (above) in Michael Radford’s film whose title is also its release date, played by, respectively, actors Bob Flag and John Boswall.

The aim of the High is to remain where they are. The aim of the Middle is to change places with the High. The aim of the Low, when they have an aim— for it is an abiding characteristic of the Low that they are too much crushed by drudgery to be more than intermittently conscious of anything outside their daily lives— is to abolish all distinctions and create a society in which all men shall be equal. — Emmanuel Goldstein

This is the standard socialist spiel, far from original to Orwell, but it does heretically acknowledge middle-class aspiration. “Goldstein”’s secret is that the middle class in Oceania has been effectively managed out of existence. It’s vanishing in our real world too, through forces which are largely economic, but Trump says he knows a more nefarious secret: Others — Eastasians, Eurasians? — are sneaking into the homeland and stealing our jobs. In Oceania (its governing system is called Ingsoc, or “English Socialism” expressed in the official language, Newspeak), the notion of a happier life has been quashed. Trump’s America is no less wounded. It doesn’t look upward but backward, to a time when hard-working (ok, white) families could look at the rich and say, one day that’ll be us. What prevents them from living the dream is the enemy: Mexican workers, effete academics, “fake news,” coastal elites, the term “Happy Holidays,” take it from there. Only a drumbeat of constant cultural battle can deflect the base’s attention away from the lack of real progress. In that frail sense, war actually is peace, because…

A Party member is expected to have no private emotions and no respites from enthusiasm. He is supposed to live in a continuous frenzy of hatred of foreign enemies and internal traitors, triumph over victories, and self-abasement before the power and wisdom of the Party. [N]o change in doctrine or in political alignment can ever be admitted. For to change one’s mind, or even one’s policy, is a confession of weakness. — Goldstein

Gosh, which political party does that remind you of? This week as I write, there’s a tentative movement toward a bipartisan sitdown in the House to try and thrash out some fixes to the Affordable Care Act — which everybody agrees is flawed. But we’re already hearing whelped, primary-scared Representatives oppose any such powwow on principle: you mean you want to meet with the ENEMY?

Fear and hatred are and always have been the animating forces that stoke the roiling conservative base. Sometimes it’s out in the open, as when Mike Flynn led the crowd in that “LOCK HER UP!” chant at the Republican National Convention. Weeks before I ever conceded the possibility of an actual Trump presidency, that moment reminded me of Orwell’s “Two Minutes Hate”: Hillary Clinton as Goldstein. (Oceanians regularly assemble to boo and curse at a projected image of Goldstein — somehow officially deemed an enemy of the people — until it mercifully dissolves into the likeness of their hero and protector, Big Brother. All Flynn lacked was a Hillary headshot for the Jumbotron.)

Trumpkins are sometimes tagged as rebels against the 21st century GOP, which they view as soft and ineffectual. They keep any “moderate” elected officials dishonest with the constant underlying threat of being “primaried” by somebody even more crazed. But the Pubs have depended on social “wedge issues” to motivate their base since the days of Ronald Reagan, and one strays from official orthodoxy at one’s peril. Republican, Freedom or Tea, the “Party” demands utter fealty no matter what you call it.

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The Two Minutes Hate in the 2017 Broadway production.

If leisure and security were enjoyed by all alike, the great mass of human beings who are normally stupefied by poverty would become literate and would learn to think for themselves; and when once they had done this, they would sooner or later realize that the privileged minority had no function, and they would sweep it away. In the long run, a hierarchical society was only possible on a basis of poverty and ignorance. — Goldstein

Many observers look at Trump and see an crude, ignorant, incurious child-man who has no idea how to do the job to which he’s amazingly been elected. Remember, he’s really nothing more than a frickin game-show host. But to his most devoted fans that’s not a bug, that’s a feature. It’s so satisfying to think, he’s no smarter than I am, no better than I am, and look where he is. Trump’s business history is studded with failure. No US bank will lend him money, which is why he depends on Russian oligarchs who love to park their dough in real estate. But that’s all superseded by the fact that he’s been on our telescreens — oops, I mean TV sets — playing a tycoon for the better part of a decade. How can you blame people for confusing the actor and his role? TV Trump likes to growl, “You’re fired!” Real Trump desperately avoids conflict: he’s afraid of firing people in person, so instead he makes their lives so miserable that they quit in disgust. Sean Spicer and Reince Priebus are just the latest heads to auto-roll; at this writing, Trump is working on Jeff Sessions.

You can’t think too hard about all this, though, or else the show-biz veneer will dissipate. In fact, one of the most serious potential threats to both Big Brother and Trump is — thinking at all. One side of the cultural divide is more educated, the other less so. I’ll bet the larger cities and college towns where you live voted for Hillary Clinton in 2016. But the rest of your state belonged to Trump. “I love the uneducated!” he crowed during the campaign. Pointy-headed intellectuals who never did a day’s honest work, ridiculous “safe spaces” for coddled crybaby students, angry protests silencing right-wing lecturers — in a Pew Research poll released in July, 58% of Republicans and Republican-leaning independents said they believed colleges and universities had a negative effect on the country. In other words, most of them. (Almost three fourths of Democrats and like-minded independents thought the effect was positive.)

Trump has made a fetish out of ignorance. Behind the hollow bluster, he’s actually proud that he doesn’t know how much he doesn’t know. It’s easy to say, “I know more about ISIS than the generals do, believe me.” (By the way, whenever Donald Trump says “believe me,” don’t.) His ingrained narcissism may even actually convince him; delusion seems to be his copilot. But the tiniest bit of independent thought — “as a moment’s reflection will reveal,” as a friend used to say — can show Cloud Cuckoo-Land for what it truly is. Therefore independent thought is just as much an enemy to Trump as it is to Ingsoc. Most decent undergraduate programs have the same underlying goal: to teach students not what to think, but how to think. I can’t say the same for many schools founded and supported by fundamentalist Christians, or for Fox News, Breitbart and the other reactionary megaphones. Many people have their opinions handed to them because they are unwilling or unable to verify truth independently. In Trumpland, ignorance is strength.

…the essential act of the Party is to use conscious deception while retaining the firmness of purpose that goes with complete honesty. To tell deliberate lies while genuinely believing in them, to forget any fact that has become inconvenient, and then, when it becomes necessary again, to draw it back from oblivion for just so long as it is needed, to deny the existence of objective reality and all the while to take account of the reality which one denies— all this is indispensably necessary. — Goldstein

This is the principle behind “doublethink,” Orwell’s evil-Zen state that allows dutiful citizens to hold and believe in two contradictory arguments simultaneously, or to accept as truth something that can be easily disproven. Like the old joke about the husband whose wife catches him cheating: “Who are you gonna believe, me or your lying eyes?”

I know we’ve heard presidential fabrications before, even from men I admire. But has there ever been a more brazen bullshitter than this bird? Donald Trump is a pathological liar. I don’t think he can stop himself. He lost the election by three million votes, and his electoral-college margin turned on about 80,000 votes in three states, yet he calls it a historic landslide. “I got a call from the head of the Boy Scouts saying it was the greatest speech that was ever made to them.” Um, nope, that didn’t happen at all. “Even the president of Mexico called me,” Trump lied to his Cabinet. “They said…very few people are coming because they know they’re not going to get through our border, which is the ultimate compliment.” ¡Mentiroso hijo de puta, señor!

My favorite Trump lie, out of hundreds spewed out over the past six months, concerned his inaugural speech: “It was almost raining — the rain should have scared them away — but God looked down and he said ‘we are not going to let it rain on your speech’… and then it poured right after I left.” As anybody who was there or watching on tv knows, it rained through the first few minutes of Trump’s speech — you could see people behind him wearing ponchos — and it most definitely did not pour afterward. You’re left with a kind of reluctant awe: why would you even bother to lie about something as trivial as the weather?

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John Hurt as Winston Smith in the Radford film.

At least part of the answer may be the heady ability to alter history. While researching that last quote, I stumbled on a Christian website that reported the sun “shone” for Trump’s inauguration as a sign of God’s blessing. There’s a kernel of truth in that: the sun did peek out through overcast skies for an instant during the ceremony. But evidently God didn’t dig Trump’s speech, because moments later she made it rain again. However, to the readers of that website, the rain stopped and the sun shone as Trump took office, and that’s that.

Who controls the past controls the future; who controls the present controls the past. — Ingsoc party slogan

Winston Smith, you’ll recall, works for the Ministry of Truth, or Minitrue. His job is to repair and replace the historical record. For example, he alters a past promise to maintain rations at the current level. He scrubs all references to a purged Party member, or “unperson,” rendering him nonexistent. But a fissure appears in his capacity for doublethink when he is told Oceania is at war with Eurasia — yet he knows that the enemy has been Eastasia for the last four years. No matter. “Oceania was at war with Eurasia: therefore Oceania had always been at war with Eurasia.” Doublethink is maddening and terrifying at the same time.

Of course retroactive reality is impossible to concoct in our hip, wired age. Just ask the Secretary of War. Oh, wait, that’s his old title: now he’s Secretary of Defense, or “SecDef,” a term that sounds a hell of a lot like Newspeak. Or read yesterday’s Congressional Record to find speeches that were never uttered: there isn’t one veteran member of Congress who hasn’t inserted something after the fact. Or sit with the Texas State Board of Education as it sifts through history and science texts for orthodoxy that, because of the practicalities of educational publishing, will have to be replicated nationwide.

The most effective and “Orwellian” stroke of the current regime is the concept of “fake news.” Unlike anal-probing space aliens or government gun confiscation, we know “fake news” is really a thing. Eastern Europeans were actually making money by inventing outrageous clickbait all through the last election cycle. One whopper really gained some traction: that Hillary Clinton and John Podesta were operating a child sex ring from the basement of an innocent DC pizza parlor. It went viral, and in December a 28-year-old North Carolina man fired three shots in the restaurant with an AR-15-style rifle, striking walls, a desk, and a door. He told police he was there to “self-investigate” the conspiracy that came to be known as “Pizzagate.” (As you may have expected, the restaurant doesn’t even have a basement.)

Fake news isn’t some kooky fear: it’s definitely out there. In fact Breitbart, the “alt-right” website run until recently by presidential advisor Steve Bannon, absolutely dotes on the stuff. Still it was shocking to hear Trump, at his first news conference as president, pass over CNN’s Jake Tapper and growl, “you’re fake news.” Whaaaat? Within days, Trump was using the term to describe any news organization he didn’t like, and it was an unwitting masterstroke. The eight letters of “fake news” are short-attention-span-friendly, instantly graspable. This is why the “liberal media” are constantly after Trump: all their stories are as bogus as Bigfoot, he’s actually doing a great job but nobody’s giving him a chance. But the most insidious effect is that, for his most ardent fans, Trump is slowly delegitimatizing all genuine sources of objective coverage. The truth is whatever he tells them it is. No lie is too outrageous. Even pollsters are “fake” if he doesn’t like their numbers: remember how they underestimated him last year? He recently attacked as unfair the Congressional Budget Office, which is damn near the last nonpartisan entity left in DC. When you can’t turn anywhere else for validation, you’re as psychologically dependent as Winston Smith. After all, these are people who actually believe crime and unemployment both spiked under President Obama, because that’s what the Party told them.

Crimestop means the faculty of stopping short, as though by instinct, at the threshold of any dangerous thought. It includes the power of not grasping analogies, of failing to perceive logical errors, of misunderstanding the simplest arguments if they are inimical to Ingsoc, and of being bored or repelled by any train of thought which is capable of leading in a heretical direction. Crimestop, in short, means protective stupidity. — Goldstein

With “fake news” as a cudgel to tamp down any contradiction or stray heretical thought, Trumpism becomes almost inevitable among true believers. The same antics which embarrass some people excite others. To them Trump is a human Molotov cocktail, and the more damage he does to the system the better. Yes, it’s sad-making — the 2016 election was probably moderates’ low point for a good long while, and many of us still feel apprehensive opening our morning papers — but it doesn’t have to be debilitating, for several good reasons.

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O’Brien (Reed Birney) with Winston (Tom Sturridge) and Julia (Olivia Wilde) on Broadway.

They are outnumbered and they know it. Eighty-five percent of Oceanians are lowly “proles” and therefore largely ignored. Well, a minority controls Congress and most statehouses in America too. Not only did the Pubs lose the popular vote for President, they also lost the popular vote for Senate races: more than 45 million Americans voted for a Democratic Senate candidate, while just under 40 million Americans voted for a Republican. In fairness, the Senate was specifically created to bolster the influence of smaller states: Republican Lisa Murkowski of Alaska was re-elected with 111,000 votes and has the same Senate authority as Democrat Chuck Schumer of New York, who was re-elected with 4.8 million. But even the House, which is supposed to better represent actual voter proportions, is grossly skewed. In 2016, 63.1 million Republican voters claimed 247 House seats. The Democratic vote was nearly equal, 61.7 million, but it was only worth 188 seats. That’s way out of whack and eventually something has to give.

You can blame some of that inequity on gerrymandering: for example, Austin, the most progressive city in Texas, has been electorally neutered by splitting it up into tiny parts of five different Congressional districts, four of which are represented by Republicans. But a deeper cause of inertia is incumbency: in 2016 only twelve House seats changed hands, six for each party. And a third cause is voter apathy, which is something we can actually work on.

Republicans are more successful at winning state and local elections because they understand how to rile up the base and get them out to the polls. Trump’s staggering incompetence may be having that same visceral effect on the left. We’ll find out next year. The best indication that Pubs are nervously looking over their shoulders is their massive voter suppression effort. The crown jewel is Trump’s loony Presidential Advisory Commission on Election Integrity (I love that name, it’s so…Orwellian!). Just remember, it’s in Democrats’ interest that you vote; it’s in Pubs’ interest that you be prevented from voting. We could make elections fairer by adopting ranked voting or jolt turnout by moving Election Day to the weekend, but Pubs are protected by the status quo so it will not happen any time soon. Counting on changing demographics to affect electoral results — for example, wishing Texas purple — is foolish, but it’s also foolish to squander a natural advantage when you get one handed to you. It’s not a gimme; it’ll take work.

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In Room 101.

One does not establish a dictatorship in order to safeguard a revolution; one makes a revolution in order to establish the dictatorship. —O’Brien

Trump is beginning to neglect his constituency as he shows his true colors. I don’t think the president is a fascist or an Ingsoc functionary; I don’t believe he has any deeply held principles beyond his own self-interest. Well, there may be one. Trump is petty and childish enough that he may still be smarting over the humiliating roasting President Obama gave him at the 2011 White House Correspondents’ Dinner. With the exception of Neil Gorsuch’s nomination (and that was mostly Mitch McConnell’s doing), nearly every move Trump has made as president has been a direct erasure of an Obama initiative, often without even thinking about it. He’s trying to rewrite history, to make Obama an unperson. But when he took on Obamacare — that blasted name again! — he didn’t count on his own voters understanding that they were about to lose their coverage. Even when McConnell cynically tacked on a two-year delay period so Pubs could “repeal Obamacare” with impunity, the shouting back home was just too great. And speaking of personal payback, was that why we saw John “He’s not a war hero. He was a war hero because he was captured. I like people who weren’t captured” McCain kill the repeal effort with the flourish of a Roman emperor? As mining jobs fail to come back to coal country, day laborers for construction and agriculture disappear, and opioids continue to decimate the heartland, some suffering citizens may finally break the spell and relearn how to put two and two together.

Trump’s legislative base is crumbling as his popular support dwindles. “The ratings machine, DJT” actually had coattails in 2016, but they are starting to fray. The near-unanimous votes in both houses on Russian sanctions were a veto-proof slap in the face that said, “we’re not afraid of you.” The disconnect is probably personal. I have no idea whether Trump did anything illegal, but he clearly has money tied up in Russia and that source of capital is key to any future expansion plans, so his instinct is to make nice to Putin. One problem, though. Pubs have been taught to hate Commies for literal generations. By now, asking them to coddle Russkies is like trying to divide by zero. Yes, the hypocrisy is acrid: if Hillary had invited a Russian spy into the Oval Office, much less spilled intel to his face, the Pubs would have her turning on a spit by now. But Trump — who was already in the hole the moment he took office — has been whittling away at his own approval ratings more effectively than any enemy ever could. To be impeached by this Congress, he’d probably have to bite the head off a live chicken at the Lincoln Memorial. (Nor do I fancy a President Pence.) But remember, this entire shitstorm has occurred in just six months. I don’t think Trump can last four whole years — especially with a Congress that is less than sycophantic.

After Winston Smith survives the horrors of Room 101, we can see that he has changed. As the Cap’n says in COOL HAND LUKE, he “got his mind right.” Two plus two equals anything O’Brien wants it to be. Everything is all right, the struggle is finished. Well, that is not going to happen to us. We are still capable of seeing clearly if we only concentrate. The outrage that spits out almost hourly from this administration must not, will not become normalcy. The world has not turned upside down. Our system builds political antibodies to negate such an aberration, and if we are still suffering from shock, that means we have the capacity to resist — in the streets, in the voting booths, in the offices of our representatives. That passion is precisely what saved the Affordable Care Act. And it is what is going to eliminate Big Bother [frickin sic] once and for all.

Freedom is the freedom to say that two plus two make four. If that is granted, all else follows. — Winston Smith

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Et Tu, Delta?

June 18, 2017

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Outre settings for otherwise respectfully mounted Shakespeare productions are nothing new, and not just since the Royal Shakespeare Company started dressing Montagues and Capulets in biker leather. The very presence of female actors is a departure from any performance the Bard saw in his own lifetime — so much so that it took some getting used to when Shakespeare’s Globe brought its all-male TWELFTH NIGHT/RICHARD III company to Broadway four years ago. Nazis, cowboys, wartime grunts — they’ve all served as exotic backdrops to Shakespeare, the intention being to make the words shine at different angles as we twist the prism. Some inevitable day Romeo and Juliet will both be robots, if it hasn’t happened already.

The seeking and wielding of power hasn’t changed all that much in the four centuries since JULIUS CAESAR (1599) was written. It shows us authority stretched to the point of monomania; then an affronted, violent reaction to this perceived threat to the republic; and finally the utter disaster that befalls the polity after the ultimate defacing of democracy, the replacement of discourse with murder. There’s nothing particularly historical about these forces. They’re with us today and will be here long after we’re gone.

So JULIUS CAESAR’s examination of power and ill-advised redress is particularly suited to a contemporary setting. Hell, any setting. The latest effort finishes its outdoor run on schedule tonight at the Delacorte Theater in Central Park as part of the Public Theater’s Free Shakespeare In The Park program. It’s a great production, but it leaves a wake of unwanted notoriety. For this Caesar, as played by Gregg Henry, looks and acts a lot like Donald Trump.

caesar.jpgThere’s nothing coy about the portrayal. Absurd blond wig, blue suit a tad too small, necktie a tad too long, relentlessly working the real audience as he enters. (Off mike, he bragged near us, “Biggest crowd in the history of the theater!”) There’s no question who this Caesar is supposed to suggest. Tina Benko’s slinky Calpurnia even speaks with a Slavic accent.

It’s remarkable how time can actually transmute Shakespeare’s lines. For example, when Caesar first appears amid an adoring throng and senses the presence of the Soothsayer, he asks, “Who is it in the press that calls on me?” “The press” as written meant “the crowd,” but the Trumpworld audience hears, “the failing MSM.” When Brutus’s boy Lucius brings news of a “post,” he hands his master a smartphone and we understand instantly. These are all Shakespeare’s words (edited way down to an intermissionless 2:02 by Oskar Eustis, the play’s director and the Public’s artistic director) but three new ones come at a critical point. When Casca marvels at the blind loyalty of the Great Man’s fans, the line reads, “If Caesar had stabbed their mothers, they would have done no less.” Eustis adds, just before the comma, “on Fifth Avenue.” Screams.

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Of course, anyone who has ever seen, read or heard JULIUS CAESAR, or knows the slightest thing about the historical personage, is well aware that his enemies in the Senate were so devoted to the Roman republic and its traditions that the threat of imperium drove them to assassination. Caesar was offered a crown and made to refuse it thrice, but we and they can tell it’d feel good on his head: it’s only a matter of time. On the Ides of March they strike, stabbing the triumphant warrior to death before our eyes.

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Here is where America’s deep polarization rears its ugly head. Again, anyone familiar with the material is keenly aware that seeking change by doing violence becomes the downfall of each and every conspirator — in fact, that is the very point of the play. But pause for a second to consider Trump’s devoted base of supporters. They are greatly rural, greatly uneducated (“I love the uneducated!” Trump gushed on the campaign trail), and distrustful of “elites” in cities and college towns. Most of them have never seen, read, or heard JULIUS CAESAR. All they have to go on comes from professional shit disturbers who tell them that up in fancy-schmantzy New York, some guy dresses up like Trump, then a bunch of senators stab him to death onstage while the audience just sits there and watches. And that’s all true. The real shame should fall on the cynical pitchfork salesmen who deliberately withhold any context from the infomasses and not only ought to, but in fact do know better.

There’s a lot to love in Eustis’s dynamic, immersive staging. The cast are all around you — it’s far and away the most exciting CAESAR I’ve ever seen. Marc Antony is searingly played by Elizabeth Marvel and is referred to as “she” throughout. Her feverish funeral oration, delivered with a slight Southern-senator twang, so rouses the 1800-member audience that we want to pick up weapons ourselves. The energy and drive is contagious: it becomes a spectacle when the dark consequences of the assassination roll in. At times there is a literal crowd on stage, all the stagehands and extras Eustis could find. The theater erupts with passion. By now the Trump references are basically subsumed: for an hour, he’s only been a stiff under a sheet, or a ghost with no snark or irony at all.

To know all this about the production, however, you have to have actually seen it.

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I don’t get my news from cable tv channels, but from what Trump calls “failing” and “fake” media instead. The only time I normally see these shows is in clips on Colbert or THE DAILY SHOW. I’d never witnessed the full-time 24/7 cacophony until the James Comey testimony, but it’s almost too much to take in, whether you’re watching MSNBC, CNN or Fox. Rachel Maddow in particular goes so fast that I can’t parse everything she says and still receive the sliding, ticking Chyron information crammed onto the rest of the screen. On the right there’s remarkable teamwork and cooperation: interchangeable Fox News hosts tag out once an hour, but the story of the day (in this instance, “Comey is a liar and a traitor”) is so similar that through repetition it looks like Americans of all colors and genders agree! The barrage goes on afterburners once a partisan meme begins (“the War on Christmas”), and this is what happened to the Public.

The “murder” of “Trump” drove some people batshit. Not only do cable hosts matter but now individuals do too, because social media give them their own megaphones. Somebody recorded the assassination scene with a smartphone (you’re supposed to turn them off, lady!) and posted it. The usual suspects began howling, and before long censure of the Public and this production gained traction. Delta Air Lines and Bank of America both actually pulled their funding for the Free Shakespeare in The Park program (I can’t tell whether they removed all Public Theater donation). Oh, by the way: the word “public” usually means “funded by taxpayer dollars,” but not in this case. Humiliatingly, the National Endowment for the Arts felt obliged to disclaim that none of its money was used to subsidize JULIUS CAESAR.

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Outside the theater on Friday, before the show, Trumpies…

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…and the opposition.

The icing on the cake came last Friday, the night I saw the show. There were dueling groups of protesters outside the theater beforehand; that appeared to be a ho-hum everyday event. But during the show, just after the murder, a woman ran on stage and began ranting about normalizing attacks on the right while an accomplice stood in the audience to record her on video and shouted, “you’re all Goebbels!” (Huh? I still don’t get it.) The production paused for less than two minutes, actors still on stage, while the trolls were peaceably removed through a loud ovation. Then came a spot of serendipity. The stage manager announced “Actors, please pick it up at [Cinna’s line] ‘Liberty! Freedom!’” This was too much: the audience leapt to its feet with a roar as the players regrouped to carry on. The woman continued to shriek way off in the distance for ten minutes or so, but she was wasting her breath. (P.S.: Joyce Carol Oates knows. She was there too.) The screamer turned out to be a pal of James O’Keefe, the little dweeb who tried and failed to sting Planned Parenthood (and, a few months after this show, the Washington Post: he has to be the hands-down worst stinger in the world!), escorted by a guy who enjoys spreading nutty conspiracy theories, including Pizzagate. So much for spontaneity.

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Onstage, pre-show, audience members pour out their hearts onto a “Roman bill.” A matching one is at stage right, reading I HOPE FOR.

Please don’t feign patriotic offense at this production. I know this has nothing to do with respect for the office of the president. The reason I know is simple: this same play was staged back in 2012 by the Acting Company, using an Obama-like Caesar. He was stabbed to death on stage too, and nobody said doodly. What we have here is pure Act I, scene ii Caesar worship.

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Oskar Eustis.

Backstage just before the show, Oskar Eustis addressed a group of Public Theater donors and told them the challenge was theirs and his: to find ways to reach out to another America that not only has divergent views, but often finds no reason to even acknowledge the necessity of art to a healthy public life. I agree that if the choices are mutually exclusive, feeding children is more important than funding playhouses, but they don’t have to negate each other. The answers aren’t simple, but the Public is taking some concrete steps. It has already funded a bare-bones mobile production of Lynn Nottage’s empathetic Pulitzer Prize-winning SWEAT which it will take into coal and factory country, where the play is set. Maybe someone who sees it will receive the warmth of recognition that great art can provide: You are not alone. You are not forgotten. Now let’s make things better together. I believe that’s what many are really craving when they desperately cling to someone like Donald Trump.

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Two sheets tipped into the program after the shitstorm erupted.

Though the controversy may have affected the Public, rest assured it’s only a flesh wound. America’s greatest nonprofit theater will replace the lost private-sector donations and steam forward at full speed, but they’ll have to put forth some extra effort to do it. Meanwhile, off go my letters of censure to Delta (reminding them that, as they always say, they realize I have a choice when I travel) and BOA, just so they’ll know not all protesters think they did the right thing. And let’s at least thank goodness for an unusual and welcome side effect: for a few moments in the late spring of 2017, Shakespeare and the theater itself were as relevant as anything can possibly be.

7/3/17: In response to my letter of complaint to Delta Air Lines, I received the following email today: “Thank you for writing to let us know how you feel. No matter what your political stance may be, the graphic staging of Julius Caesar at this summer’s Free Shakespeare in the Park does not reflect Delta Air Lines’ values. Their artistic and creative direction crossed the line on the standards of good taste. We are sorry if our decision disappoints you. Thank you for your feedback. Regards, Ms. Rolfe.” I think Delta brass might be trying to officially pin this on the “gore” factor, not the actual one. But Shakespeare is way ahead of them. For example, Titus Andronicus serves up his own children in a fucking pie, and no corporate sponsors have ever said boo about that. The airline doth protest too much, methinks.


A Digital Guy In An Analog World

May 11, 2017

41-donald-trump-elena-kosvincheva.jpgThe Conmander in Chief seemed surprised the other day when Democrats not only failed to applaud his sacking of FBI director James Comey, but instead led a tsunami of howling blowback. The Trumpies were gobsmacked because the boss lives digitally — and that attitude has to trickle down if you want to appease him.

Donald Trump’s worldview is binary, like the basic one-or-zero building block of computing. You’re friend or foe, right or wrong, smart or stupid, rich or poor, safe or scared, strong or weak, winner or loser, Dem or Pub, toady or traitor, predator or prey, kin or stranger, Fox or fake, male or icky, white or threatening. His personality and character are not wired to coexist with nuance or subtlety, which are analog qualities with infinite gradations. Trump’s light switch is on-off. Most others use a rheostat.

Yet that messy imprecision dominates the environment he is forced to inhabit any time he steps outside his protective bubble. This is why foreign policy, for example, is beyond his grasp. He’s simply unable to perceive the shades of grey, the give-and-take required of statesmanship among sovereign nations. But somebody, if not Trump himself, better face it: despite our breathtaking advances in technology, we do not live in a digital world, but an analog one.

Trump evidently thought lefties held a digital view too: Hillary Good, Comey Bad. So getting rid of Comey — for whatever selfish reason — ought to make them cheer. It didn’t occur to him that you could both disapprove of what Comey did (even if unwittingly) to Hillary Clinton and take offense at his sudden dismissal just as he was revving up the FBI’s Russia hacking investigation.

Digital thinking is a temptation in our polarized society. The Comey firing became public just minutes before Stephen Colbert stepped onstage to deliver his monologue Tuesday afternoon. When his audience learned from the comedian that Comey was out, they reflexively applauded. That seemed to take Colbert aback. He and his staff, of course, had had time to think about it. The audience was responding digitally: serves him right for ruining Hillary! (Ludicrously, that was the White House’s official reason for the director’s firing!) But they quickly realized that Trump was really trying to stymie the Russia investigation, and when Jeff Sessions’s involvement was invoked a few minutes later, familiar boos rang out.

From most reports Comey is a stand-up guy who wants to do the right thing and is mortified by what turned out to be his role in the 2016 election. Trump is a narcissistic buffoon who couldn’t care less about how he won (the Electoral College is basically affirmative action for white people) and has never acknowledged any form of error. But as Comey put it in a farewell email to the Bureau, POTUS has the power to fire the FBI director “for any reason, or for no reason at all.” It’s telling that when the action was “imminent,” according to the New York Times, Trump called Lindsey Graham. He called Chuck Schumer. But he didn’t call Jim Comey, who found out he’d been fired when somebody noticed a tv news feed behind his back as he was giving a speech. That’s not a strongman. That’s a pathetic, classless coward.

Each time I thought Trump was done when he dissed John McCain’s war record, insulted a Gold Star family, cheered on goons at that rally, and bragged about grabbing women by the pussy. Each time I was wrong. Maybe he could shoot somebody on Fifth Avenue and not disturb the diehards in his 36% approval base. But this time he may at last find himself outnumbered. Dumping Comey was lousy in timing, justification and execution, a trifecta of malice and ineptitude.

How any serious Christian could support Donald Trump — how Mike Pence looks himself in the mirror every morning — has always been beyond me; I just do not understand. Now I add the word “Republican.” No, this isn’t Watergate — Richard Nixon only fired a special prosecutor; this is potentially even worse — but if members of his own party won’t stand up to Trump the way they did to Nixon, it’s not just the FBI’s reputation that’s in jeopardy, but their own as well. Not to mention their jobs. Because the votes of their constituents can be digital too.


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