Late-night comedy loses another promising voice tomorrow night, when THE OPPOSITION W/ JORDAN KLEPPER broadcasts the last of its 129 episodes. Comedy Central has been having trouble filling the key four-times-weekly slot following THE DAILY SHOW, the one ruled for years by THE COLBERT REPORT, and now they have to try again. First Larry Wilmore — frankly, a better writer than an on-air host — tried THE NIGHTLY SHOW, at the time the most color-centric program in late night. Then star DAILY SHOW correspondent Jordan Klepper earned his turn at bat. It’s a shame they’ve pulled the plug: his show was very good.
THE OPPOSITION is a creative cousin to THE COLBERT REPORT. Stephen Colbert spent almost ten years as a character named “Stephen Colbert,” a self-important, thick-headed right-wing blowhard modeled on Rush Limbaugh, Glenn Beck, Sean Hannity, and especially the one he called “Papa Bear,” Bill O’Reilly. (The show even parodied specific O’Reilly segments, only evident to those who’d actually watched THE O’REILLY FACTOR.) To appreciate this character you had to use some ironic detachment, but it was hilarious, and Colbert surprised everybody, probably even himself, when he was able to hold on to the bit and broaden the character over a mammoth run that extended from Dubya well into Obama.
A similar character, “Jordan Klepper” — again saying basically the opposite of what the writers actually mean for you to understand — is a madman conspiracy theorist. His walls are covered with crazy-quilt lines of connecting string, there are piles and piles of binder-clipped sheets of paper scattered all over his desk. He resembles nobody more than Alex Jones, the goofy shouting nut who hosts something called INFOWARS. In fact, just as O’Reilly hipped to Colbert’s “homage” early on, somebody must have told Jones that there’s a guy on tv making fun of him, because he started fighting back on air — only, in true conspiracist style, he got it all wrong and kept calling the host “Keppler.” (THE OPPOSITION even did a segment on INFOWARS’s pathetic putdowns of “this guy Keppler” and it became a running gag.) That’s the concept, and they never drop the premise. The audience are “opposers.” Instead of “We’ll be right back,” Klepper says, “The fight continues.” During his nighty interview segment, his last question is always, “Tell me something I already know.”
Klepper is a great presenter and superb improviser, which “we already knew” from his stint on THE DAILY SHOW. On this very program, the host earned an honored place in television history with his brave MAGAMeal Challenge. But what I’ll miss the most about THE OPPOSITION is its correspondents; per the conspiracy theme, they call themselves “Citizen Journalists.” This gang, culled as usual from comedy clubs and improv stages, is the sharpest and most energized bunch since the heyday of Jon Stewart’s run.
While each Citizen Journalist helps Klepper take down imaginary threats from the Deep State, and each has posted brilliant field pieces, they’ve managed to carve out their own personalities in record time. Tim Baltz is the privileged white oaf with slicked-back hair, a wannabe Gordon Gekko. Laura Grey (Klepper’s wife) is an adorable wide-eyed ball of anger whose contradictions obstruct any feminism. Niccole Thurman is a black conspiracist who usually doesn’t see what the libtards’ problem is. Josh Sharp and Aaron Jackson are flamboyantly gay men powered by their own hysteria. And Kobi Libii, my favorite of them all, has managed to find his way as a buttoned-down paranoid, inventing innumerable methods of gaming the system and presenting them with a self-satisfied kilowatt smile. These people are all aces, the best team on late-night. I hope each and every one of them gets another great gig right away.
When I read of the cancellation about a week ago (they’ve been having fun with it on the air ever since — see, it’s part of the grand conspiracy to silence them!), I admit my first thought was that the dark maddened universe inhabited by Trump’s tweets is funnier and more outlandish than anything the writers could ever dream up. We’re living in a real world that looks uncomfortably like THE OPPOSITION’s invented world, and maybe it felt too on-the-nose; after all, Alex Jones frequently sounds like a comedian, just not on purpose. Maybe the format itself was too kinetic. And maybe THE OPPOSITION was simply too hip for the room. At any rate, thanks, gang, best wishes from a fan, and let’s all make sure the fight continues.