When did everything change? Because everything sure has. High rollers pay to go backstage at rock concerts, which are themselves underwritten by huge corporations, and Dylan tunes are musical beds for commercials. A stint on SATURDAY NIGHT LIVE, as writer or actor, is a golden ticket to a career in sitcoms or the movies. Pop and hip-hop musicians are regular White House guests, and it’s the rare politician indeed that doesn’t have some classic rock stuffed into his iPod, itself created by a company founded by a couple of hippies in a garage, not all that long ago.
David Browne makes a compelling case for 1976 as the cultural hinge point in a swell new Kindle Single, THE SPIRIT OF ’76. (A Kindle Single is an electronic piece too short to be a book but too long to be a magazine article; the writing is of professional quality, curated by editors at Amazon.com and sold through the Kindle e-book platform, which means you don’t have to own an actual Kindle to read it: just download the Kindle software on any Internet-connected device you have.) Full disclosure: I’m a longtime Browne fan, dating back to when he was the chief music critic for Entertainment Weekly. I also edited his first book, DREAM BROTHER, a fascinating history of the parallel careers of Tim Buckley and his son Jeff which, among many other pleasures, demonstrates that musical talent may actually be genetic. He’s still knocking them out today as a contributing editor at Rolling Stone.
While we were celebrating our country’s bicentennial, Mr. Browne reports, the counterculture was becoming mainstream in so many ways; the tremors were rattling dishes everywhere. The new SATURDAY NIGHT LIVE, a rock-world reaction against corny tv variety shows like Carol Burnett’s, won the first four of its Emmys. The two Steves, Jobs and Wozniak, were bringing the same sensibility to the decidedly non-hip world of computing. The Ramones arrived to carpet-bomb the artificial barriers between givers and receivers of music. A struggling, hangdog-looking actor created a movie sensation glorifying blue-collar determination and come-from-behind perseverance. A Southern-drawling peanut farmer who loved the Allman Brothers was a serious contender to dethrone the sitting president of the United States. They were all part of a wave of excitement and optimism that didn’t last long, but smashed its way through pop culture all at once. “It was the perfect year for new things to be born and develop,” says Tommy Ramone.
THE SPIRIT OF ’76 looks closely at all these events and more through that prism. It’s as breezy and authoritative as Mr. Browne’s astonishing book-length FIRE AND RAIN, which connects four important pop acts and albums from 1970 in such gorgeous detail that no matter how many times you’ve worn out these records, you will learn something new about CSN&Y, James Taylor, Simon & Garfunkel and the Beatles. (How does somebody so young find out all this stuff? It’s called journalism.) Mr. Browne’s work is so entertaining and likable because he seems to be speaking for the reader. He doesn’t live in a snobby critic’s ivory tower; he’s a fan just like you and me (albeit more industrious and learned). Pick up this Single and you’ll find yourself not only glad there was a 1976, but also sad that its vaulting spirit dissipated into venality and cynicism.